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<rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/833">
    <dcterms:title><![CDATA[Cultural graphology : writing after Derrida]]></dcterms:title>
    <dcterms:creator><![CDATA[Juliet Fleming]]></dcterms:creator>
    <dcterms:creator><![CDATA[Walter de Gruyter &amp; Co.]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The University of Chicago Press]]></dcterms:publisher>
    <dcterms:date><![CDATA[2016]]></dcterms:date>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/834">
    <dcterms:title><![CDATA[Schrift und Seele : Wege in das Unbewusste]]></dcterms:title>
    <dcterms:creator><![CDATA[Anja Mendelssohn]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Seemann]]></dcterms:publisher>
    <dcterms:date><![CDATA[1933]]></dcterms:date>
    <dcterms:language><![CDATA[German]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/835">
    <dcterms:title><![CDATA[Suspect documents, their scientific examination.]]></dcterms:title>
    <dcterms:creator><![CDATA[Wilson R. Harrison]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Sweet &amp; Maxwell Ltd]]></dcterms:publisher>
    <dcterms:date><![CDATA[1958]]></dcterms:date>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/836">
    <dcterms:title><![CDATA[Graphodigest ... : papers from the ... virtual conference for graphology]]></dcterms:title>
    <dcterms:creator><![CDATA[Nigel 1958- Bradley]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Nigel Bradley]]></dcterms:publisher>
    <dcterms:date><![CDATA[2000-]]></dcterms:date>
    <dcterms:language><![CDATA[English ; Multiple languages]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/837">
    <dcterms:title><![CDATA[The psychology of the movements of handwriting]]></dcterms:title>
    <dcterms:description><![CDATA[Pubblicato originariamente nel 1926, questo volume è un riassunto in inglese delle opere del celebre grafologo francese Jules Crépieux-Jamin. Riconosciuto all&#039;epoca in Francia come la principale autorità nel campo della grafologia, il suo lavoro era meno conosciuto in Inghilterra e negli Stati Uniti. Questo titolo ha introdotto il suo pensiero nel mondo anglofono, contribuendo a consolidare la sua reputazione come uno dei più importanti esponenti della grafologia.]]></dcterms:description>
    <dcterms:creator><![CDATA[J. (Jules) 1858-1940 Crépieux-Jamin]]></dcterms:creator>
    <dcterms:creator><![CDATA[Lillah K. Given. WILSON]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Routledge]]></dcterms:publisher>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/838">
    <dcterms:title><![CDATA[100 studies in handwriting and related topics]]></dcterms:title>
    <dcterms:creator><![CDATA[Nigel. [Main author] Bradley]]></dcterms:creator>
    <dcterms:creator><![CDATA[Nigel. Bradley]]></dcterms:creator>
    <dcterms:publisher><![CDATA[N. Bradley]]></dcterms:publisher>
    <dcterms:date><![CDATA[1989]]></dcterms:date>
    <dcterms:language><![CDATA[English]]></dcterms:language>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/839">
    <dcterms:title><![CDATA[Talks on graphology, the art of knowing character through handwriting,]]></dcterms:title>
    <dcterms:description><![CDATA[ Il concetto di grafologia può essere frainteso: la grafia di Fénelon, Racin, Benjamin Franklin e Robert Browning pur non essendo bella in un modo convenzionale, ha una bellezza intrinseca e un significato profondo.ci sono diversi modi di apprezzare la scrittura, e che il valore di un&#039;opera non si limita solo all&#039;aspetto estetico.]]></dcterms:description>
    <dcterms:creator><![CDATA[Helen Lamson Robinson ]]></dcterms:creator>
    <dcterms:publisher><![CDATA[ Forgotten Books ]]></dcterms:publisher>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[Web Page]]></dcterms:type>
    <dcterms:type><![CDATA[online text]]></dcterms:type>
    <dcterms:identifier><![CDATA[0282447660<br />
‎ 978-0282447663]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[2018]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/840">
    <dcterms:title><![CDATA[Journal of the American Society of Professional Graphologists]]></dcterms:title>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[Web Page]]></dcterms:type>
    <dcterms:type><![CDATA[image]]></dcterms:type>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/841">
    <dcterms:title><![CDATA[Sign here! : handwriting in the age of new media]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Firma qui! Handwriting in the Age of New Media&quot; raccoglie una serie di articoli provenienti da diversi ambiti, spaziando dagli studi culturali e sui media alla letteratura, al cinema e all&#039;arte, fino alla filosofia e agli studi dell&#039;informazione, senza dimenticare gli ambiti giuridici e archivistici. Questo volume affronta interrogativi fondamentali: la scrittura a mano è destinata a scomparire nell&#039;era dei nuovi media digitali? Quali conseguenze ha questo cambiamento per concetti culturali e legali essenziali, come originalità, copia, autenticità, riproducibilità, unicità e iterabilità? In quale posizione si colloca la mano che scrive quando la scrittura a mano non viene eseguita fisicamente, ma è mediata da strumenti elettronici o artistici? &quot;Firma qui! Handwriting in the Age of New Media&quot; è il primo titolo della serie Transformations in Art and Culture. Questo libro è disponibile nella Biblioteca OAPEN.]]></dcterms:description>
    <dcterms:creator><![CDATA[Sonja Neef<br />
Giuseppe van Dijck<br />
Eric Ketelaar]]></dcterms:creator>
    <dcterms:source><![CDATA[https://www.jstor.org/stable/j.ctt46mzz3]]></dcterms:source>
    <dcterms:publisher><![CDATA[ Amsterdam University Press]]></dcterms:publisher>
    <dcterms:language><![CDATA[eng]]></dcterms:language>
    <dcterms:type><![CDATA[Web Page]]></dcterms:type>
    <dcterms:type><![CDATA[image]]></dcterms:type>
    <dcterms:identifier><![CDATA[978-90-485-0547-0]]></dcterms:identifier>
    <dcterms:coverage><![CDATA[2006]]></dcterms:coverage>
</rdf:Description><rdf:Description rdf:about="https://www.grafoteca.com/biblioteca/items/show/844">
    <dcterms:title><![CDATA[Applied graphology]]></dcterms:title>
    <dcterms:creator><![CDATA[Albert J. Smith]]></dcterms:creator>
    <dcterms:publisher><![CDATA[The Gregg publishing company]]></dcterms:publisher>
    <dcterms:date><![CDATA[1920]]></dcterms:date>
    <dcterms:relation><![CDATA[Consultabile online<br /><a href="https://archive.org/details/appliedgrapholo00smit">Link</a>]]></dcterms:relation>
    <dcterms:type><![CDATA[Book]]></dcterms:type>
    <dcterms:coverage><![CDATA[1920]]></dcterms:coverage>
</rdf:Description></rdf:RDF>